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  L'Orchestra di Piazza Vittorio
 



 

The Film - What they’re saying about

...the documentary explores, in gripping, cinema vérité fashion, the sometimes-Odyssean, sometimes-whimsical process in which Tronco scoured the area to gather the multinational, multi-ethnic players of L'Orchestra di Piazza Vittorio.” (...) “An international cast takes music beyond boundaries”
Don Heckman, Special to The LA Times

Video-interview with Nanni Moretti.
Scuola di scrittura Omero

In a Changing Italy, a Band With a Multicultural Face. The
Orchestra di Piazza Vittorio ... playing to sold-out
crowds… provides Italians with a helpful dose of quality
homegrown culture
Michael Kimmelman - NEW YORK TIMES

... contagiously upbeat... a rousing call to arms for world-music aficionados...
Deborah Young- VARIETY

If you’re looking for a feel-good film, your search ends here…

New York Daily News

"Italian cinema held its own at the closing event (at the Locarno Film Festival) with a must-see film: Agostino Ferrente’s ‘L'Orchestra di Piazza Vittorio’ "
Alessandra Levantesi - LA STAMPA

A wonderful film. It’s Rome’s new identity card for the world. It deserves an Oscar.
Walter Veltroni (Mayor of Rome)

In fifteen years at the Nuovo Sacher cinema, I have never seen people so happy when leaving the theater.
Nanni Moretti

Give an Oscar to “L'Orchestra di Piazza Vittorio”, because it’s an extraordinary film. And much more.
Renato Pallavicini - L'Unità

"Moving and delightful"
Alessandra Miccinesi - IL GIORNALE

It’s not your usual, rhetorical, politically correct portrait of a utopia of integration, but true cinema…
Mauro Gervasini - Film Tv

I fell in love with the Orchestra di Piazza Vittorio. One of the happiest films of the year.
Irene Bignardi - Venerdì di Repubblica

"L'Orchestra di Piazza Vittorio" is one of the best films to come out in the past months.
Concita De Gregorio - La Repubblica

Make the orchestra, not war.
Tullio Kezich - Corriere della Sera

My amorous participation in this film was immense.
Fernanda Pivano – Repubblica

Fellini’s prophecy fulfilled.
Maurizio Porro - Corriere della Sera

A wonderful film. Watch it and you’ll want to nominate Mario Tronco for a Nobel Prize.
Marco lodoli - Diario

"One of the most enjoyable musical documentaries (and not only) to come out in Italy in the past few years."
Federico Fiume - L'UNITÀ

A very clear Rosellinian lesson. A film that everyone should see. Spread the word with enthusiasm. Moving, funny, stirring, it makes you think...
Cristina Piccino - Il Manifesto

Different from other films, it narrates the great, small victory of a singular initiative over the sluggish and inevitably slow-moving inertia of public institutions with irony and humor. A film that narrates with musically wise phrasing fun, challenges, surprises, continuous excitement … flavors, and the richness of a unique utopia that seems too good to be true. A true adventure. A great, little film. An example for all.
Fabio Ferzetti - Il Messaggero

A small, exhilarating utopia. An extraordinary mixture of true stories.
Roberto Nepoti - La Repubblica

"A poetic and urban mixture of stories, humanity and music. One should truly see it."
Stefano Miloni - METRO

A marvelous metaphor on cohabitation upon which politicians and governments should meditate before promoting further wars.
Tullio Kezich - Corriere della Sera

Fascinating, funny, important.
Boris Sollazzo - Liberazione

An anecdote for depression.
Paola Piacenza - Io Donna

I left the cinema moved and with nurtured and reinforced passion. - It’s as good as Buena Vista Social Club but better because it’s closer to home.
Jovanotti - Repubblica

A great film, sweetly ironic, gripping, light, and profound all at the same time.
Gianfranco Pannone - ildocumentario.it

Every once in a while you have to take your hat off to a message that in its own small way has historical value and offers a view on how to face the uncertain future of cohabitation without concealing obstacles and contradictions. A must-see.
Paolo D'Agostini – Repubblica

There isn’t one main character, there is a variety of important actors: there are many stories. So far, so close.
Federico Scoppio – Diario

There’s a rare category of documentaries that doesn’t stop at recounting a reality but actually invents one from zero. Ferrente fully grasps the utopia of a happy diversity, a blend without trauma, writing a minimal and transitory tale that echoes a much larger truth that includes all of us. The Orchestra di Piazza Vittorio is a Polaroid of a world that, whether you like it or not, is breaking down ancient frontiers, of an Italy that is welcoming new customs and musical traditions, of a film industry that is changing its rules conjugating video and super8, painting a brighter reality with fable-like far eastern tones, collecting on one screen styles as various as the colors of the world.
Dante Albanese- Ildocumentario.it

A great film; the idea of a piazza and a cinema as a symbol of hope.
Angela Azzaro – Liberazione

“Il film è bellissimo... it tells the story with humor and sensitivity… an unforgettable journey within a symphony of culture and experience"
Francesco Alo' - IL MESSAGGERO

An extraordinary idea becomes a reality.
Antonello Catacchio - Il Manifesto

"A fun film, full of vitality, full of hope. It should be recommended and awarded at the highest levels"
Giulia Rodano – the Regione Lazio Councillor for Culture

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